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Eu ouvi um sereno canto Nas alturas do céu cantar E as montanhas da minha terra em silêncio a escutar... Eu ouvi um canto sereno Nas douradas ondas do mar E nas praias da minha terra, muita gente a escutar... Ó Luz da Alegria, Ó Alma da Vida! Ó Luz da Alegria, só te vê quem dá... Das montanhas da minha terra Às sagradas praias do mar Toda a gente escutando espera o Divino Cantar... Ó Luz da Alegria. Ó Alma da Vida! Ó Luz da Alegria, só te vé quem dá... |
He oído un sereno canto En las alturas del cielo cantar Y a las montañas de mi tierra en silencio escuchar... He oído un canto sereno En las doradas olas de la mar Y en las playas de mi tierra, a mucha gente escuchar... ¡Oh Luz de alegría, Oh alma de vida! Oh Luz de alegría, sólo te ve quien da... Las montañas de mi tierra Las sagradas playas de la mar Toda la gente escuchando espera el Divino cantar... ¡Oh Luz de alegría, Oh alma de vida! Oh Luz de alegría, sólo te ve quien da... |
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Black and White
he civics teacher had an inspired idea: bring American jurisprudence to life by showing the class an award-winning 1957 film. Twelve Angry Men had all the requisites of instructive high drama: suspense, as one juror tries to change the minds of 11 others hell-bent on sending the accused to death row; crackling dialogue, written by Reginald Rose, a luminary of television’s Golden Age; a scintillating cast, led by Henry Fonda and directed by Sidney Lumet. The title flashed on-screen—immediately followed by a chorus of groans. One 15-year-old wailed for all his disappointed colleagues: “You didn’t tell us it was going to be in black-and-white!” The place was New Rochelle High School in Westchester, New York, but the same scene could have played across the United States. The owner of my local video-rental place puts it succinctly: “Most of our customers are under 30. The way they see it, life is in color, so why not movies? Which is why we stopped offering black-and-whites, except for th...
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