As is inherent in the short-short story form, the pieces are often comic and conceptual, rather than fleshed out narratives -- it's quite a trick to cram a full-blown story with realized characters into a mere 700 words. Many of these stories are flat-out brilliant, and not all of those come from professional writers (though sf pros like Bruce Sterling, Ben Rosenbaum, Joan Vinge, Kathryn Cramer, Robert Charles Wilson and Toby Buckell all have superb little gems here). Clearly, many scientists have a frustrated sf writer lurking within them.
100 short-short stories make for a very strong cup of tea indeed. The opening paragraphs alone are something of a masterclass in the rapid establishment of a story: setting, person and problem all nailed up within a few words. Plunging into -- and emerging out of -- 10 worlds in a day's reading can be a genuinely disorienting experience.
But it's a good kind of disorientation. These stories take on the big and small problems of science, from grant-writing to debunking pseudoscience, from Frankensteinian techno-apocalypses to the brightest utopias. Considered purely as an exercising in finding out what sort of thing captures the imagination of a working scientist, this is a fantastic little journey.
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