Says the TLS : Given the amount of time and effort that curators, collectors, dealers, scholars and critics spend on formulating acute judgements of taste in relation to oil paintings, it seems odd that so few are prepared to apply some of the same skills in exploring works of art (some of them distinguished) which stimulate another sense altogether: that of smell. Why is great perfume not taken more seriously? While many art professionals are very serious about many branches of literature, architecture and music, I have yet to find a curatorial colleague who regularly beats a path to the fragrance counter in search of, say, Joy Parfum, the 1930 masterpiece by Henri Alméras for Jean Patou, which, if it were a painting, could hang beside Matisse’s nearly contemporary “Yellow Odalisque” in Philadelphia. And yet, the parallels between what ought to be more properly regarded as sister arts are undeniable. Artists and colourmen combine natural and, these days, synthetic pigments with media ...